What’s new?

So I’ve been considering blog topics for over a month and finally the obvious hit me – blog on “new,” as in, Happy NEW Year!

“New” allows me to show you a broader spectrum of what I photograph and a lot of what I capture is fresh and brand new. That’s both a privilege and exciting. So let’s view some highlights of the “new” I photographed over the last year.

A good starting point is newborn photography:

Fisher’s mom describes him as cuddly – I’d add super sweet and cute

On the commercial side, Nashville is booming. It’s become one of America’s “it” cities, a mecca of what’s new. I was pleased to photograph a large new shopping complex in Bellevue:

One Bellevue Place, Nashville, TN

I also had the pleasure to photograph Nashville’s new (and best) assisted stretching studio:

The Power to Pause
Brentwood, TN

and I photographed new products for a familiar client.

some of Boconi’s new socks and bags

I shot lots of headshots this year to give folks a “new look:”

and I shot this spectacular event which produced new champions:

Saddle Up’s 2018 Country Music Grand Prix

The real winners from this event are the kids who participate in Saddle Up.

What’s new for me in 2019? Well, the year’s just unfolding, but for the art fans amongst you, I recommend two new Nashville photography exhibits.

Running now through the end of March at the Laskey Gallery at Scarritt Bennett is Shifting Perspectives: Images of Hope in Troubled Times. In this exhibit, Sharon Brown Christopher, Sue Henry, Susan Ruach and I share hopeful messages through abstract photography. For more information, please visit http://www.abstractlensnashville.com.

And from February 4 – March 8, you will want to visit the art gallery at Nashville State Community College to view SNAP: The Photograph Celebrated. Here’s the promo card for this exhibit which was curated by Beth Gorham (possibly my favorite photography instructor ever).

anyone else experiencing deja vu to a May 13, 2018 blog post?

Thank you for following my blog. I look forward to bringing you more of what’s new in the coming new year!



Will Photography Eclipse Your One Time Viewing Experience?

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There’s a great line in the movie The Secret Life of Walter Mitty when Mitty (played by Ben Stiller) has caught up with Sean O’Connell, acting the part of a highly regarded Life Magazine photographer who finally has a clean shot of the elusive leopard he’s been chasing.  Although the “ghost cat” is in full view and O’Connell is “camera ready,” he fails to take its picture. Mitty sees the leopard and O’Connell’s inaction and finally turns to him and asks impatiently, “When are you going to take it?” O’Connell answers calmly, “Sometimes I don’t.  If I like a moment, for me, personally, I don’t like to have the distraction of the camera.”

So Nashville is on the arc of the eclipse and it seems everyone under the sun (no pun intended) is flocking here to view the eclipse on Monday.  Along with that has come inflated prices on airfare and hotel rooms, a healthy supply of eclipse T-shirts, a shrinking supply of the special ISO marked viewing glasses, and hundreds of tutorials on how to safely view and photograph the eclipse.

But just as O’Connell’s character chose not to photograph his prized “ghost cat,” I’m not planning to photograph the eclipse.  I mean – it’s only going to happen once in my lifetime.  Do I want “the distraction of the camera” (and in this case also the tripod, cable release and flashlight) or should I instead “sit back and experience the moment?”  I think the latter.

I learned the “experience the moment” lesson the hard way several years ago when my daughter was taking dance.  When she joined her studio’s competitive dance team, I photographed her performances regularly.  Then one day, her dance teacher met me in the back dressing room after a competition had ended and with tremendous excitement exuding from every part of her being she asked, “did you see her jump, did you see that split jump?”  I looked blankly back at her and couldn’t honestly answer. Apparently I hadn’t, at least not as she had, because I was too busy shooting.  So I looked back through my images to see if I had captured it.  I had, but I also then realized that in getting the photograph, I had missed the much more meaningful proud parent moment – you know, the kind that takes your breath away as you watch it unfold.  And while I could always look back at my photograph, I could never get that moment back again.

I continued to take dance photographs after that competition, but more and more I came to rely on a friend to take the pictures.  Hers were great, there was no need for us both to be shooting the exact same thing at the same time, and it allowed me to enjoy the thrill of my daughter dancing and then share that excitement with her right after the performance, much as her teacher had done with me that day.

This eclipse on Monday … is it more important to you to photograph it and own a version of one of the many duplicative photographs we’ll see posted all over social media in the days following or are you willing to pause and let the moment take your breath away?  

You know, you can make a decent facsimile of the eclipse in Photoshop like I did above in only a couple of minutes … and if the actual eclipse doesn’t look exactly like it does above, I bet I can tweak my facsimile pretty quickly to make it mirror the photographs.

This past week was a little stormy so the thought of a calm day with a wondrous view in the sky will be a refreshing and welcome change. Here’s hoping for clear skies on Monday, for those of us viewing the eclipse and for everyone in the world really.  

 

 

 

 

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